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<article article-type="research-article" dtd-version="1.2" xml:lang="ru" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink"><front><journal-meta><journal-id journal-id-type="issn">2313-8912</journal-id><journal-title-group><journal-title>Research Result. Theoretical and Applied Linguistics</journal-title></journal-title-group><issn pub-type="epub">2313-8912</issn></journal-meta><article-meta><article-id pub-id-type="doi">10.18413/2313-8912-2017-3-3-34-40</article-id><article-id pub-id-type="publisher-id">1198</article-id><article-categories><subj-group subj-group-type="heading"><subject>THEORY OF LANGUAGE</subject></subj-group></article-categories><title-group><article-title>LINGUOCULTURAL FEATURES OF LINGUISTIC IDENTITY  IN TV-FORMAT DISCOURSE</article-title><trans-title-group xml:lang="en"><trans-title>LINGUOCULTURAL FEATURES OF LINGUISTIC IDENTITY  IN TV-FORMAT DISCOURSE</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author"><name-alternatives><name xml:lang="ru"><surname>Kutsenko</surname><given-names>Alina A.</given-names></name><name xml:lang="en"><surname>Kutsenko</surname><given-names>Alina A.</given-names></name></name-alternatives><email>alinaconfiture@gmail.com</email><xref ref-type="aff" rid="aff1" /></contrib></contrib-group><aff id="aff1"><institution>Belgorod State National Research University, Russia</institution></aff><pub-date pub-type="epub"><year>2017</year></pub-date><volume>3</volume><issue>3</issue><fpage>0</fpage><lpage>0</lpage><self-uri content-type="pdf" xlink:href="/media/linguistics/2017/3/35-41.pdf" /><abstract xml:lang="ru"><p>The article studies the cultural-linguistic features of the Edwardian era linguistic identities in the three-component structure of the TV-format discourse in the British historical television series &amp;lsquo;Downton Abbey&amp;rsquo; (2010-2016). A brief overview of the concepts &amp;lsquo;cultural linguistics&amp;rsquo;, &amp;lsquo;linguistic identity&amp;rsquo;, &amp;lsquo;discourse&amp;rsquo; formulated by domestic and foreign linguists is given. The necessity of distinguishing a new type of discourse, the TV-format discourse is grounded. The author&amp;#39;s definition of the concept of &amp;lsquo;TV-format&amp;rsquo; is given, as well as the definition of the concept of &amp;lsquo;movie-discourse&amp;rsquo;, adjacent to the concept of &amp;lsquo;TV-format discourse&amp;rsquo;. The presence of a three-component structure in the TV-format discourse is revealed, its separate components, such as communicative impulses, communicants and extralinguistic information, are considered. The features of communicants&amp;rsquo; linguistic identities are revealed in the TV-format discourse of the television series being studied, linguistic identities are divided into two types: the British aristocracy and the middle class of the XX century beginning.</p></abstract><trans-abstract xml:lang="en"><p>The article studies the cultural-linguistic features of the Edwardian era linguistic identities in the three-component structure of the TV-format discourse in the British historical television series &amp;lsquo;Downton Abbey&amp;rsquo; (2010-2016). A brief overview of the concepts &amp;lsquo;cultural linguistics&amp;rsquo;, &amp;lsquo;linguistic identity&amp;rsquo;, &amp;lsquo;discourse&amp;rsquo; formulated by domestic and foreign linguists is given. The necessity of distinguishing a new type of discourse, the TV-format discourse is grounded. The author&amp;#39;s definition of the concept of &amp;lsquo;TV-format&amp;rsquo; is given, as well as the definition of the concept of &amp;lsquo;movie-discourse&amp;rsquo;, adjacent to the concept of &amp;lsquo;TV-format discourse&amp;rsquo;. The presence of a three-component structure in the TV-format discourse is revealed, its separate components, such as communicative impulses, communicants and extralinguistic information, are considered. The features of communicants&amp;rsquo; linguistic identities are revealed in the TV-format discourse of the television series being studied, linguistic identities are divided into two types: the British aristocracy and the middle class of the XX century beginning.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>cultural linguistics</kwd><kwd>linguistic identity</kwd><kwd>discourse</kwd><kwd>TV-format discourse</kwd><kwd>movie-discourse</kwd><kwd>Edwardian era</kwd><kwd>‘Downton Abbey’</kwd></kwd-group><kwd-group xml:lang="en"><kwd>cultural linguistics</kwd><kwd>linguistic identity</kwd><kwd>discourse</kwd><kwd>TV-format discourse</kwd><kwd>movie-discourse</kwd><kwd>Edwardian era</kwd><kwd>‘Downton Abbey’</kwd></kwd-group></article-meta></front><back><ref-list><title>Список литературы</title><ref id="B1"><mixed-citation>Alefirenko, N. The Living Word. Moscow: Flinta: Nauka, 2009. 344 p. [in Russian].</mixed-citation></ref><ref id="B2"><mixed-citation>Alefirenko, N. 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