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<article article-type="research-article" dtd-version="1.2" xml:lang="ru" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink"><front><journal-meta><journal-id journal-id-type="issn">2313-8912</journal-id><journal-title-group><journal-title>Research Result. Theoretical and Applied Linguistics</journal-title></journal-title-group><issn pub-type="epub">2313-8912</issn></journal-meta><article-meta><article-id pub-id-type="doi">10.18413/2313-8912-2018-4-1-70-78</article-id><article-id pub-id-type="publisher-id">1356</article-id><article-categories><subj-group subj-group-type="heading"><subject>LITERATURE OF PEOPLES AND NATIONS OF THE WORLD</subject></subj-group></article-categories><title-group><article-title>PROBING INTO THE MYTHOLOGICAL IMAGES IN MAO ZEDONG’S POEM “IMMORTALS: REPLY TO LI SHUYI”</article-title><trans-title-group xml:lang="en"><trans-title>PROBING INTO THE MYTHOLOGICAL IMAGES IN MAO ZEDONG’S POEM “IMMORTALS: REPLY TO LI SHUYI”</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author"><name-alternatives><name xml:lang="ru"><surname>Li</surname><given-names>Zhai</given-names></name><name xml:lang="en"><surname>Li</surname><given-names>Zhai</given-names></name></name-alternatives><email>zhaili@upc.edu.cn</email><xref ref-type="aff" rid="aff1" /></contrib></contrib-group><aff id="aff1"><institution>China University of Petroleum, China</institution></aff><pub-date pub-type="epub"><year>2018</year></pub-date><volume>4</volume><issue>1</issue><fpage>0</fpage><lpage>0</lpage><self-uri content-type="pdf" xlink:href="/media/linguistics/2018/1/Zhai_Li.pdf" /><abstract xml:lang="ru"><p>Mythological images play an important role in literary works and are ingeniously applied in Mao Zedong&amp;rsquo;s poetry. By studying the various aspects of the mythological images in his poem, we can gain a deeper insight into the compressed meanings of the poetic art that are unheeded before. This paper will discuss the different dimensions in the mythological images in Mao Zedong&amp;rsquo;s poem, Die Lian Hua: Reply to Li Shuyi, probing into the different layers of depth in meaning from cultural, psychological and spiritual perspectives.</p></abstract><trans-abstract xml:lang="en"><p>Mythological images play an important role in literary works and are ingeniously applied in Mao Zedong&amp;rsquo;s poetry. By studying the various aspects of the mythological images in his poem, we can gain a deeper insight into the compressed meanings of the poetic art that are unheeded before. This paper will discuss the different dimensions in the mythological images in Mao Zedong&amp;rsquo;s poem, Die Lian Hua: Reply to Li Shuyi, probing into the different layers of depth in meaning from cultural, psychological and spiritual perspectives.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>mythological images</kwd><kwd>Mao Zedong’s poetry</kwd><kwd>Die Lian Hua</kwd><kwd>mythological and archetypal approaches</kwd></kwd-group><kwd-group xml:lang="en"><kwd>mythological images</kwd><kwd>Mao Zedong’s poetry</kwd><kwd>Die Lian Hua</kwd><kwd>mythological and archetypal approaches</kwd></kwd-group></article-meta></front><back><ref-list><title>Список литературы</title><ref id="B1"><mixed-citation>Frazer, G. (1995), Golden Bough, Touchstone Books, New York.</mixed-citation></ref><ref id="B2"><mixed-citation>Frye, N. (1957), Anatomy of Criticism: Four Essays, Princeton University Press, Princeton.</mixed-citation></ref><ref id="B3"><mixed-citation>Frye, N. 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