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<article article-type="research-article" dtd-version="1.2" xml:lang="ru" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink"><front><journal-meta><journal-id journal-id-type="issn">2313-8912</journal-id><journal-title-group><journal-title>Research Result. Theoretical and Applied Linguistics</journal-title></journal-title-group><issn pub-type="epub">2313-8912</issn></journal-meta><article-meta><article-id pub-id-type="doi">10.18413/2313-8912-2018-4-4-0-12</article-id><article-id pub-id-type="publisher-id">1559</article-id><article-categories><subj-group subj-group-type="heading"><subject>LITERATURE OF PEOPLES AND NATIONS OF THE WORLD</subject></subj-group></article-categories><title-group><article-title>A decentred reading of Zadie Smith’s Swing Time: Voices of cross-cultural belonging</article-title><trans-title-group xml:lang="en"><trans-title>A decentred reading of Zadie Smith’s Swing Time: Voices of cross-cultural belonging</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author"><name-alternatives><name xml:lang="ru"><surname>Dieme</surname><given-names>Ibrahima</given-names></name><name xml:lang="en"><surname>Dieme</surname><given-names>Ibrahima</given-names></name></name-alternatives><email>jemmeh33@yahoo.fr</email><xref ref-type="aff" rid="aff1" /></contrib></contrib-group><aff id="aff1"><institution>Chiekh Anta Diop University, Senegal</institution></aff><pub-date pub-type="epub"><year>2018</year></pub-date><volume>4</volume><issue>4</issue><fpage>0</fpage><lpage>0</lpage><self-uri content-type="pdf" xlink:href="/media/linguistics/2018/4/Dieme.pdf" /><abstract xml:lang="ru"><p>This article explores the dynamics of differentiation through the perspective of a reconceptualised representation of race, identity and cultural belonging that Swing Time brings into scrutiny. Relying on a decentred vision of the on-going problematic of racism, it sketches the various possible ways of re-reading our belonging to the world through the solidarities that bridge humanity into a purely shared heritage through art and dance. By targeting the commonalities in history as basic cornerstones that establish a common lineage, it tries to grasp the confluences that could reconcile the world into its shared heritage. It then strives to redefine our understanding our cultural belonging and living together from a completely different angle that takes us away of all the conflicts and violence that are shaping the world.</p></abstract><trans-abstract xml:lang="en"><p>This article explores the dynamics of differentiation through the perspective of a reconceptualised representation of race, identity and cultural belonging that Swing Time brings into scrutiny. Relying on a decentred vision of the on-going problematic of racism, it sketches the various possible ways of re-reading our belonging to the world through the solidarities that bridge humanity into a purely shared heritage through art and dance. By targeting the commonalities in history as basic cornerstones that establish a common lineage, it tries to grasp the confluences that could reconcile the world into its shared heritage. It then strives to redefine our understanding our cultural belonging and living together from a completely different angle that takes us away of all the conflicts and violence that are shaping the world.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>decentred</kwd><kwd>racism</kwd><kwd>time</kwd><kwd>redefinition</kwd><kwd>heritage</kwd><kwd>voices</kwd></kwd-group><kwd-group xml:lang="en"><kwd>decentred</kwd><kwd>racism</kwd><kwd>time</kwd><kwd>redefinition</kwd><kwd>heritage</kwd><kwd>voices</kwd></kwd-group></article-meta></front><back><ref-list><title>Список литературы</title><ref id="B1"><mixed-citation>Banes, Sally (1994), Writing Dance in the Age of Postmodernism. 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