<?xml version='1.0' encoding='utf-8'?>
<!DOCTYPE article PUBLIC "-//NLM//DTD JATS (Z39.96) Journal Publishing DTD v1.2 20190208//EN" "http://jats.nlm.nih.gov/publishing/1.2/JATS-journalpublishing1.dtd">
<article article-type="research-article" dtd-version="1.2" xml:lang="ru" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink"><front><journal-meta><journal-id journal-id-type="issn">2313-8912</journal-id><journal-title-group><journal-title>Научный результат. Вопросы теоретической и прикладной лингвистики</journal-title></journal-title-group><issn pub-type="epub">2313-8912</issn></journal-meta><article-meta><article-id pub-id-type="doi">10.18413/2313-8912-2018-4-1-70-78</article-id><article-id pub-id-type="publisher-id">1356</article-id><article-categories><subj-group subj-group-type="heading"><subject>ЛИТЕРАТУРА НАРОДОВ СТРАН ЗАРУБЕЖЬЯ</subject></subj-group></article-categories><title-group><article-title>PROBING INTO THE MYTHOLOGICAL IMAGES IN MAO ZEDONG’S POEM “IMMORTALS: REPLY TO LI SHUYI”</article-title><trans-title-group xml:lang="en"><trans-title>PROBING INTO THE MYTHOLOGICAL IMAGES IN MAO ZEDONG’S POEM “IMMORTALS: REPLY TO LI SHUYI”</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author"><name-alternatives><name xml:lang="ru"><surname>Li</surname><given-names>Zhai</given-names></name><name xml:lang="en"><surname>Li</surname><given-names>Zhai</given-names></name></name-alternatives><email>zhaili@upc.edu.cn</email><xref ref-type="aff" rid="aff1" /></contrib></contrib-group><aff id="aff1"><institution>China University of Petroleum, China</institution></aff><pub-date pub-type="epub"><year>2018</year></pub-date><volume>4</volume><issue>1</issue><fpage>0</fpage><lpage>0</lpage><self-uri content-type="pdf" xlink:href="/media/linguistics/2018/1/Zhai_Li.pdf" /><trans-abstract xml:lang="en"><p>Mythological images play an important role in literary works and are ingeniously applied in Mao Zedong&amp;rsquo;s poetry. By studying the various aspects of the mythological images in his poem, we can gain a deeper insight into the compressed meanings of the poetic art that are unheeded before. This paper will discuss the different dimensions in the mythological images in Mao Zedong&amp;rsquo;s poem, Die Lian Hua: Reply to Li Shuyi, probing into the different layers of depth in meaning from cultural, psychological and spiritual perspectives.</p></trans-abstract><kwd-group xml:lang="en"><kwd>mythological images</kwd><kwd>Mao Zedong’s poetry</kwd><kwd>Die Lian Hua</kwd><kwd>mythological and archetypal approaches</kwd></kwd-group></article-meta></front><back><ref-list><title>Список литературы</title><ref id="B1"><mixed-citation>Frazer, G. (1995), Golden Bough, Touchstone Books, New York.</mixed-citation></ref><ref id="B2"><mixed-citation>Frye, N. (1957), Anatomy of Criticism: Four Essays, Princeton University Press, Princeton.</mixed-citation></ref><ref id="B3"><mixed-citation>Frye, N. (1971), Critical Path, Indiana University Press, Bloomington.</mixed-citation></ref><ref id="B4"><mixed-citation>&amp;nbsp;Griffith, K. (2006), Writing Essays about Literature: A Guide and Style Sheet, Pecking University Press, Beijing, China.</mixed-citation></ref><ref id="B5"><mixed-citation>Hirsch, E. (1999), How to Read a Poem and Fall in Love with Poetry, Harcourt, Sandiego.&amp;nbsp;&amp;nbsp;</mixed-citation></ref><ref id="B6"><mixed-citation>Mao, Tse-tung (1976), Poems of Mao Zedong, Foreign Languages Press, Beijing, China.</mixed-citation></ref><ref id="B7"><mixed-citation>NG, Yong-Sang: The Poetry of Mao Tse-tung. Cambridge Core terms of use, available at https://www.cambridge.org/core/terms.</mixed-citation></ref><ref id="B8"><mixed-citation>TAY, C. N.&amp;nbsp; From Snow to Plum Blossoms: A Commentary on Some Poems by Mao Tse-Tung, Cambridge Core terms of use, available at https://www.cambridge.org/core/terms.</mixed-citation></ref><ref id="B9"><mixed-citation>TAY, C. N. Two Poems of Mao Tse-tung in the Light of Chinese Literary Tradition, Cambridge Core terms of use, available at https://www.cambridge.org/core/terms.</mixed-citation></ref><ref id="B10"><mixed-citation>&amp;nbsp;Zhai Li (2017), On the Transmission of the Aesthetic Features from Ezra Pound&amp;rsquo;s Creative Translation of &amp;ldquo;CHANG GAN XING&amp;rdquo;, Research Result. Theoretical and Applied Linguistics (3), Belgorod, Russia, 63-68.</mixed-citation></ref><ref id="B11"><mixed-citation>&amp;nbsp;黄金龙. &amp;ldquo;死而复生&amp;rdquo;神话研究 [D]. 山西师范大学，2016.</mixed-citation></ref><ref id="B12"><mixed-citation>刘术人. 论嫦娥奔月神话的文本流变 [D]. 东北师范大学，2008.</mixed-citation></ref><ref id="B13"><mixed-citation>毛泽东. 毛泽东诗词选: 汉英对照 [M]. 许渊冲, 译．北京: 中国对外翻译出版公司，1993.</mixed-citation></ref><ref id="B14"><mixed-citation>亦老. 毛泽东诗词鉴赏 [M]. 北京：中国文史出版社，2004.</mixed-citation></ref><ref id="B15"><mixed-citation>尹泓. 嫦娥奔月神话的意象和母题分析 [J]. 中州学刊 (9) 2010, 109-194.</mixed-citation></ref><ref id="B16"><mixed-citation>翟莉. H. D.《山林女神》中的神话意象 [J]. 名作欣赏（2）2015, 57-59.</mixed-citation></ref><ref id="B17"><mixed-citation>翟利，徐然然 庞德对中国古典诗学的借鉴，[J]. 芒种 (2) 2014, 149-50.</mixed-citation></ref></ref-list></back></article>