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<article article-type="research-article" dtd-version="1.2" xml:lang="ru" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink"><front><journal-meta><journal-id journal-id-type="issn">2313-8912</journal-id><journal-title-group><journal-title>Научный результат. Вопросы теоретической и прикладной лингвистики</journal-title></journal-title-group><issn pub-type="epub">2313-8912</issn></journal-meta><article-meta><article-id pub-id-type="doi">10.18413/2313-8912-2021-7-2-0-5</article-id><article-id pub-id-type="publisher-id">2411</article-id><article-categories><subj-group subj-group-type="heading"><subject>ТЕОРИЯ ЯЗЫКА</subject></subj-group></article-categories><title-group><article-title>&lt;strong&gt;Структурные характеристики переключений кодов в произведении Г. Грина &amp;laquo;Our man in Havana&amp;raquo;&lt;/strong&gt;</article-title><trans-title-group xml:lang="en"><trans-title>&lt;strong&gt;Structural characteristics of code-switching in the novel &amp;ldquo;Our Man in Havana&amp;rdquo; by G. Greene&lt;/strong&gt;</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author"><name-alternatives><name xml:lang="ru"><surname>Кожина</surname><given-names>Ирина Юрьевна</given-names></name><name xml:lang="en"><surname>Kozhina</surname><given-names>Irina Yu.</given-names></name></name-alternatives><email>iiumishintceva@chsu.ru</email><xref ref-type="aff" rid="aff1" /></contrib></contrib-group><aff id="aff1"><institution>Череповецкий государственный университет, Россия</institution></aff><pub-date pub-type="epub"><year>2021</year></pub-date><volume>7</volume><issue>2</issue><fpage>0</fpage><lpage>0</lpage><self-uri content-type="pdf" xlink:href="/media/linguistics/2021/2/Лингвистика-42-52.pdf" /><abstract xml:lang="ru"><p>Переключения кодов &amp;ndash; распространенное явление в художественной литературе, однако работ, в которых анализируются их особенности, намного меньше, чем исследований устных переключений. Примером произведения, изобилующего переключениями кодов, структура которых не описана, является роман Г. Грина &amp;laquo;Our Man in Havana&amp;raquo;. Цель нашей статьи &amp;ndash; описать структурные особенности переключений кодов в этом произведении. Для анализа используется &amp;laquo;Классификация по месту появления в речи&amp;raquo; Г.Н. Чиршевой. Наиболее частотными в произведении оказались внутрифразовые переключения (52%), за ними следуют переключения-выбор кода (36%), а затем межфразовые ПК (12%). Высокая частотность внутрифразовых ПК объясняется тем, что они в отличие от двух других типов встречаются не только в речи персонажей, но также и в авторском повествовании. Кроме того, по подобному типу переключаются билингвальные персонажи, а среди ключевых героев таких большинство. С помощью выбора кода автор идентифицирует героев-монолингвов, поскольку они строят свои реплики на одном языке, являющемся гостевым относительно текста произведения.</p></abstract><trans-abstract xml:lang="en"><p>Code-switching is a widespread phenomenon in fiction, although there are much less works researching into their peculiarities than into oral code-switching. &amp;ldquo;Our Man in Havana&amp;rdquo; by G. Greene is an instance of a literary text that abounds in code-switching, which has not been studied yet. The main aim of the work is to describe the structural characteristics of code-switching in this novel. The analysis of structural peculiarities of code-switching was made with the help of the Classification of occurrence in speech developed by G.N. Chirsheva. In the novel the most frequent switches are intrasentential (52%), then code selection takes place (36%), and then intersentential switches appear (12%). High frequency of intrasentential code-switchings is the result of the fact that they occur both in the speech of characters and in the author&amp;rsquo;s words in contrast to the other structural types. Besides that, bilingual characters switch with this type of code-switching, and the majority of characters are bilingual. The author identifies monolinguals with the help of code selection, as they say their remarks only in one language, which is embedded in the novel.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>Художественный билингвизм</kwd><kwd>Переключение кода</kwd><kwd>Структурные типы</kwd><kwd>Матричный язык</kwd><kwd>Гостевой язык</kwd></kwd-group><kwd-group xml:lang="en"><kwd>Bilingualism in fiction</kwd><kwd>Code-switching</kwd><kwd>Structural types</kwd><kwd>The Matrix language</kwd><kwd>The embedded language</kwd></kwd-group></article-meta></front><back><ref-list><title>Список литературы</title><ref id="B1"><mixed-citation>Грин Г. 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